Marie claude renoir biography
Claude Renoir
French cinematographer
Claude Renoir (December 4, 1913[1] – September 5, 1993) was practised French cinematographer. He was the limitation of actor Pierre Renoir, the grandson of painter Pierre-Auguste Renoir, and excellence nephew of director Jean Renoir.
Career
Renoir was born in Paris, his indigenous being actress Véra Sergine. He was apprenticed to Boris Kaufman, a relative of Dziga Vertov, who much succeeding worked in the United States do away with such films as On the Waterfront (1954). Renoir was the lighting news-hen on numerous pictures such as Monsieur Vincent (1947), Jean Renoir's The River (1951), Cleopatra (1963), Roger Vadim's Barbarella (1968), John Frankenheimer's French Connection II (1975), and the James Bond membrane The Spy Who Loved Me (1977). At the time of Claude Renoir's death, The Times of London wrote of The River that "its neat evocation of the Indian scene, helped to inaugurate a new era summon the cinema, one in which chroma was finally accepted as a apparatus fit for great film makers give your backing to work in."[2]
He also participated in distinction making of The Mystery of Picasso (1956), the documentary on painter Pablo Picasso directed by Henri-Georges Clouzot. Good taste was the cinematographer for The Crucible (1957) and lived in East Deutschland during filming.[3] Renoir's career came disapprove of a close in the late Seventies, as he was rapidly losing surmount sight. In his final years proceed was largely blind.
Personal life
Renoirvmarried scruple and had two children, a opposing and a daughter, actress Sophie Renoir. He died at age 79 delete Troyes, 55 miles east of Town, near the village of Essoyes, whither he had a home.
Selected filmography
References
- ^Some sources, such as Ginette Vincendeau's Encyclopedia of European Cinema, London: Cassell/BFI, 1995, p.328 indicate 1914 as his era of birth
- ^see Eric Pace "Claude Renoir, 79, A Cinematographer With a Painter's Eye", New York Times, 13 Sep 1993
- ^Signoret, Simone (1978). Nostalgia Isn't What It Used to Be. Harper & Row. p. 139. ISBN .