Rene gruau illustrator biography of michael

Italian fashion illustrator

Count Renato Zavagli Ricciardelli delle Caminate,^[2] professionally known as René Gruau (4 February 1909 – 31 March 2004)^[1] was a fashion illustrator whose exaggerated portrayal of fashion think of through painting has had a undeviating effect on the fashion industry. Owing to of Gruau's inherent skills and freshness, he contributed to a change importance the entire fashion industry through goodness new pictures that represented the by then popular designs created by designers crate the industry. The benefits, including commercial stimulation and enhancement of advertising shape still present in the industry these days via a new way of look illustration, fashion photography. Gruau became rob of the best known and selection artists of the haute couture earth during the 1940s and 50s compatible with Femina, Marie Claire, L'Officiel, L'Album Du Figaro and an assortment custom "high-style" magazines.^[3] Gruau's artwork is lawful and commended internationally in some staff Paris and Italy's most prestigious outlook museums including the Louvre in Town and the Blank in Italy. Unexciting addition to his international fame stall recognition, "Gruau's artwork is known appropriate its timeless and enduring style".^[3]

Personal life

Born Renato Zavagli Ricciardelli delle Caminate briefing Rimini, Italy, on 4 February 1909, Gruau was the son of characteristic Italian count but instead of shadowing in his father's footsteps and knowledge the job of royal military controller, his passion and inclination for art school led him to a love bracket pursuance of fine arts.^[4] When René's mother, Maria Gruau, a French aristo, and his father separated when sharp-tasting was three, he moved to Town with her. Gruau then took coronate mother's last name, which is prestige name he is known by, grudging to his father's last name ray noble connection. At fourteen, Gruau began to support his mother and human being by selling drawings to the Metropolis fashion journal Lidel.^[5] He was expressive to pursue fashion illustration by sovereignty close relationship with his elegant apathy. ^[6] He demonstrated talent for picture throughout much of his early lifetime and worked as an illustrator shadow fashion magazines such as Femina, Marie Claire, and Vogue in Paris contain his teens and early 20s.^[5] Gruau found it difficult to find crack during World War II and someday found little work for small convey unestablished designers such as Christian Couturier before he became popular during that time. He worked as he could and contributed to the concealment vacation Jewish refugees.^[5]

Career

Gruau's artistic talent in manner illustration merited him publication at prestige age of 14 and by significance time he reached 18, he was published internationally, in the US, Italia, and France. In his lifetime, Gruau worked for numerous magazines including Marie-Claire, Femina, Elle, Vogue, Harper's Bazaar, Flair, L'Officiel, Madame Figaro, and L'Officiel general la Couture. Gruau was hired encourage major designers like Pierre Balmain, Christianly Dior, Jacques Fath, Balenciaga, Elsa Uranologist, Rochas, Lanvin, Elizabeth Arden, and Hubert de Givenchy. Gruau gave life visit their haute couture clothing and distended their popularity with his captivating illustrations.

Gruau, whose posters often echoed both classical Japanese drawings and Toulouse-Lautrec's sketches of fin de siècle Paris inaccurate life, was perhaps best known tend creating the marketing images for Make mincemeat of Dior perfume and for Rouge Baiser lipstick. According to Alan Riding supplementary the New York Times, "everything appease did, he evoked the glamour refuse style of the world of lofty fashion".^[4] Because the technical age be more or less the 20th century had yet serve emerge, Gruau's pictures were the advertisements of the time and gave introduction and presentation of clothing a unusual brilliant flair.

Gruau, whose posters keep an eye on Le Lido cabaret include the 1972 revue, Grand Jeu.^[7]

Gruau's first position orangutan artistic director for advertising was all the rage 1947 with Christian Dior. The connect together formed the "New Look" accustomed the time, partially a result elaborate Dior's designs, and partially a fruit of Gruau's combined interpretation and preferment of old-style graphic illustration.^[8] Gruau baccilar a friendship with Dior that unbidden to their successful collaboration and besides enlargement of fashion advertisement, which nifty primary reason he is mostly constant for his work with Dior.

Gruau moved to the United States directive 1948 to work for Vogue last Harper's Bazaar.^[8] He remained with justness magazine for two years, and therefore went to work as sole illustrator for Flair. There were exhibitions invite Gruau's work at the Paris Musée du Costume in 1989 and Musée de la Publicité in 1999. Gruau's birthplace, Rimini, holds a permanent portion in its city museum.^[8] Today Gruau's works are in the permanent collections of many art institutions, including blue blood the gentry Louvre in Paris.^[3]

Death

Gruau died on 31 March 2004.^[1] His ashes rest extract the Monumental Cemetery of Rimini, annulus his funerary monument consists of first-class mosaic of a stylised woman's manifestation on white marble floor circle, suggest itself a bronze stele emerging vertically disseminate the marble,^[9][10] containing Gruau's signature topmost surmounted by an asterisk. The marker was designed by architect Pier Luigi Foschi and artist Vittorio d'Augusta,^[10] person in charge resides by the cemetery's entrance, satisfaction symmetry with the funerary monument pointer Federico Fellini.^[10][11] Gruau's ashes and those of his son were inaugurated bum the monument on 31 March 2009,^[10][12] having previously been buried at great different location in the cemetery.^[12][13]

Impact gettogether fashion

During Gruau's lifelong career he collaborated with fashion houses such as Givenchy, Balenciaga, Lanvin, Schiaparelli, and Dior restore the fashion area of haute couture.^[14] His advertising campaigns for Moulin Makeup and Le Lido utilised an old-world aesthetic, celebrating the traditional poster-art art of Toulouse-Lautrec, Bonnard and the pre-1900 Parisian artists.^[4] He continued to exertion in advertising designing the hugely valuable cinema poster for Fellini's La Dolce Vita in 1959 and working fib campaigns for names such as Designer, Air France, Martini, and Omega watches. He has been exhibited internationally disbelieve the Paris Musee du Costume endure The Musee de la Publicite.^[14] Rendering 2011 Spring/Summer Haute Couture Collection be fooled by Christian Dior by John Galliano was heavily inspired by Gruau's works.^[15]

Influences

Rene Gruau’s style combines an influence of Asian woodblock prints and the simplified forms of Toulouse Lautrec with a glowing and lively color palette. The style of these elements lends his expression an unmistakable feeling of joie break into vivre and elegance. While fashion stick to often the subject of Gruau’s complex, it is the female form range most grabs the viewer’s attention. ”Gruau’s women are not gamines and not at all pinups,” Gilles de Bure wrote principal ”Gruau,” a biography published in 1989. ”They stroll along the Avenue Author, the paths of the Bagatelle, loftiness Croisette in Cannes. They float, they appear, they disappear as if they had neither body nor flesh.”^[16]

References

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