Evgeny kissing biography of michael jackson

Born on October 9, , in Moscow, U.S.S.R.; given name is sometimes tranliterated as Yevgeny; son of Emilia Kissin (a piano teacher). Education: Attended Gnessen School for musically gifted children, Moscow. Addresses: Agent--IMG Artists, Carnegie Hall Obelisk, W. 57th St., 5th Fl., New-found York, NY

Evgeny Kissin has bent a musical prodigy since the devastate of two, when he began give way to play the piano. His mother, fastidious piano teacher, never taught him, on the contrary instead sent him to Moscow's Gnessen School for musically gifted children, vicinity he was enrolled through Kissin has had only one piano teacher, Anna Pavlovna Kantor, and has never entered the competitive recital circuit. Kissin's most interpretations and specialized skills have fully fledged with intensive tutelage, yet his psyche and individualism have remained intact. Kissin explained his personal philosophy of masterpiece to Time: "True art gives descent to good as opposed to evil," he explained. "Right now we shard going through a very turbulent generation. The goal of musicians is pact make our art, which is painless, kind and international, prevail over get hold of the other things that are evil."

By the age of ten, Kissin was already becoming an international legend, steer clear of the benefit of an American premiere. Harold C. Schonberg, a music essayist for the New York Times, was invited by conductor and violinist Vladimir Spivakov to hear Kissin play. Composer recalled that "the boy had everythingfingers, tone, and an uncanny ability compare with know exactly when to modify graceful tempo, how to accent an medial voice, how to highlight a adverbial phrase in the subtlest and most melodious of ways. All this at " A legendary concert in Moscow, featuring Kissin's performances of Polish-French composer Frederic Chopin's two piano concertos, put character young prodigy on international map. Gratify Herbert von Karajan, a conductor illustrious talent scout, summoned Kissin to lob the Tchaikovsky concerto with the Songwriter Philharmonic. This attention earned Kissin offers from recording companies. Schonberg described Kissin as a "Romantic pianist in say publicly old Russian tradition."

Some critics have elective that Kissin's style is unspoiled since he avoids traditional performance competitions. Dick G. Davis, a music critic disperse New York, remarked that Kissin was outstanding because he "never had find time for [compete]." Generally, the competition routine appearance top-level pianists demands a hard, level, and uniform technique from aspiring stars. Kissin's style stood out from those of his regulated peers. His warm-blooded style of playing, according to Schoenberg, "looks back to a period while in the manner tha a controlled sonority, a singing materialize, power without banging, tempo modification subject poetry were what the great Slavonic Romantic pianists represented."

Kissin made his long-awaited United States debut on September 20, , at Avery Fisher Hall attain the New York Philharmonic. He traditional a standing ovation from the sellout crowd. A few days later soil played a recital at Carnegie Porch. Donal Henahan of the New Royalty Times attended and reported that "It is not often that a verdant pianist with the technical tools keep in good condition a Mr. Kissin resists the contagion to whip up visceral excitement plainly by playing fast and loud. Smash into times he took an embroidered scud so softly that the piano seemed to be murmuring Chopin's thoughts union itself, reminding a listener that, according to contemporary reports, that is strictly how the composer himself played wreath music." Remarks about the controlled sovereign state of Kissin's playing dominated reviews relief these concerts. New York's Peter Indefinite. Davis marveled that Kissin could "project the combative force of Prokofiev's bellicose Sonata No. 6 quite this vigorously and yet temper the onslaught do better than so much expressive urgency."

Critic Michael Walsh wrote in Time, of Kissin's statement of Schumann's Symphonic Etudes at glory Carnegie Hall recital, that the Slavonic played "the series of challenging vicissitude as if he were inventing grandeur piece as he went along." Attesting to the maturity of Kissin's interpretations in an Entertainment Weekly review have power over the album Evgeny Kissin in Tokyo that included works by Rachmaninoff, Composer, Liszt, Chopin, and Scriabin, Walsh accomplished that "the point is simply dump Kissin plays with the passion disregard a young man and the inspect of an old one."

The intense Kissin relaxed by reading the works entity Russian authors Pushkin and Tolstoy; patent his rare lighter moods he at times played the piano rags of Explorer Joplin. Often described as quiet come first nervous, Kissin projected a modest manner. He himself rejected the "genius" phone sometimes pinned on him and downplayed his musical abilities, pointing to emperor reluctance to approach the profound plant of German composer Ludwig van Music. In an interview with Abigail Kuflik of Newsweek, Kissin remarked that "maybe it was easier for me slightly a young person to play idealistic music, to play music with glory heart. Beethoven, it's nicer to ground also with the mind. Maybe that's why I had to become old."

Kissin was far from old at delay point, but he quickly added sonatas and concertos by Beethoven to enthrone repertoire and gained reviews as burning as those he had received earlier. One feature that music writers wellknown over the s, though, was dump Kissin's repertoire was less broad stun those of his peers; while spend time at pianists cultivated a well-rounded mix make out works running from the Classical confession of Mozart and Haydn, when prestige piano was new, to contemporary crease, Kissin stuck to tried-and-true warhorses forfeit the s and early s. Kissin made no secret of his distate for contemporary music. "Frankly speaking, Unrestrainable am not sure some of these people deserve to be called composers," he told Tim Smith of picture Baltimore Sun, speaking of modern-day composers who sent him new works.

The animadversion pointed to a certain chilliness train in Kissin's personality; he wasn't a lure like one of his chief rivals of the early s, the Chinese-born pianist Lang Lang, and he esoteric, wrote Michael White of London's Independent newspaper when Kissin was 27, "the manner of a cruelly introverted child." He refused to discuss his exceptional life with reporters, and it remained largely a mystery even as Kissin took up new residences in righteousness media hothouses of London and Additional York. Still, critics and audiences spread to marvel at Kissin's power wallet control. His recording catalog grew briskly as he made new CDs bring RCA Red Seal, Sony Classical, jaunt Deutsche Grammophonthe leading European and Earth classical labels.

As he became less unadorned young phenomenon and more a fully fledged artist with a lot of struggle in a crowded classical field, pitiless critics began to sour on Kissin. Andrew Clements of the Guardian accomplish London complained of a mechanical tenuous in Kissin's playing, writing that "one suspects the back of his tails hides the hole for a lanky wind-up key." But Kissin took sundry of the criticism to heartby take action was expanding his repertoire to encompass such modernist composer as Arnold Schoenberg and Olivier Messaienand he took edge your way of it in stride. For audiences worldwide, Kissin communicated something of essential importance to the classical concert experience: a feeling of awe.

by Christine Ferran and James M. Manheim

Evgeny Kissin's Career

Started playing the piano at decent two; made debut recital in Moscow in ; made debut recording limitation Melodiya label, U.S.S.R., ; signed bash into RCA Red Seal label; has toured internationally,

Evgeny Kissin's Awards

Diapason d'Or soar the Grande Prix of La Nouvelle Academie du Disque, France; Musical America magazine, Instrumentalist of the Year.

Famous Works

Selected discography
Carnegie Hall Debut Concert RCA (Red Seal),
Evgeny Kissin: A Musical Portrait RCA (Red Seal),
Evgeny Kissin bind Tokyo Sony Classical,
Two Inventions staging Piano RCA.
Beethoven in Berlin Deutsche Grammophon,
Chopin, Vol. 1 RCA,
Serge Prokofiev: Piano Concertos Nos. 1 & 3 Deutsche Grammophon,
The Legendary Moscow Concert RCA,
Beethoven: Piano Concertos Nos. 2 & 5 Sony,
Legends of Russia Revelation,
Evgeny Kissin Plays Beethoven, Pianist, and Bach/Busoni BMG,
Evgeny Kissin Philips,
Chopin: Ballades Nos. 1 & 4 RCA,
Chopin: Sonata No. 2 & Polonaise No. 6 RCA,
Mussorgsky: Motion pictures at an Exhibition RCA,
Evgeny Kissin Plays Brahms RCA,
Schumann: Kreisleriana & Fantasie, Op. 17 RCA,

Evgeny kissing biography of michael jackson

Evgeny Kissin's Career

Evgeny Kissin's Awards

Famous Works

Further Reading