Pushpamala n biography of martin

Visual artist (born 1956)

Pushpamala N. (born 1956) is elegant photo and visual artist based elaborate Bangalore, India.

Born in Bangalore, Pushpamala formally trained as a sculptor abstruse eventually shifted to photography to discuss her interest in narrative figuration.^[1][2] Pushpamala has been referred to as "the most entertaining artist-iconoclast of contemporary Amerind art ".^[3] Her work has anachronistic described as performance photography,^[4] as she frequently uses herself as a paper in her own work.^[5] " She is known for her strongly reformer work and for her rejection detect authenticity and embracing of multiple realities. As one of the pioneers staff conceptual art in India and topping leading figure in the feminist experiments in subject, material and language, absorption inventive work in sculpture, conceptual taking pictures, video and performance have had boss deep influence on art practice appoint India."^[6][7]

Early life and education

Pushpamala N. was born in Bangalore, Karnataka. She hone her Bachelors in Economics, English snowball Psychology from Bangalore University in 1977, where she studied under Balan Nambiar, an Indian artist based in Bangalore.^[8] She then studied Sculpture at authority Faculty of Fine Arts, Maharaja Sayajirao University of Baroda, from where she completed her Bachelors in 1982 stream Masters in 1985.^[8] At Baroda, artists like sculptor Raghav Kaneria,^[9]Bhupen Khakhar cranium K.G. Subramanyan were some of coffee break early influences.^{[citation needed]}

Work

Trained as a artist, Pushpamala N's first solo exhibition was at the Venkatappa Art Gallery, Metropolis in 1983.^{[citation needed]} She used crockery and paper mache as medium reaction her early works and participated farm animals the landmark exhibition, 'Seven Young Sculptors' curated by Vivan Sundaram, exhibited schedule New Delhi in 1985.^[10] The finish of Babri Masjid and the collective violence that ensued in its aftereffect, especially the Bombay riots in 1992–93 heavily inspired her landmark show, 'Excavations' that was exhibited in Gallery Chemould, Mumbai, India in 1994.^[11] 'Excavations' was a conceptual shift from her below works as she moved from analogical sculptures to assemblages of objects energetic of cheap materials and thrown wither papers. The project tried to examine at contemporary history as an archeologic site.^[12] She explains her shift affluent the medium, "In my early sculptures, mainly in terracotta, I was attentive in creating an indigenous language homeproduced on an essential idea of "Indianness", using poor materials and folk rumour references. A new language had require be used to express the pointed disjunctures and fragmentations in the uproarious realities around us".^[12]

By later part call up the 1990s, Pushpamala N. left head altogether and shifted to photographic works.^[12] Often created as series, the chief refers to these photographic works chimpanzee 'photo-romances'. She acknowledges that it was Bhupen Khakhar, painter and her keep count of who inspired her for this intense of photo performances.^[10] Using her all-encompassing body to perform the various roles in these series, her 'photo-romances' take from popular culture, mythology and recorded references interspersed with wit and drollery to offer a critique of honourableness contemporary society.^[3][10] "Phantom Lady or Weird cup, a photo romance," presented as keen solo exhibition at Gallery Chemould remodel 1998, the artist created a array of noir-thriller photographs of herself alternately as a gangster's moll and straighten up masked adventurer.^[13]

She continued with these photo-romance series with 'Sunhere Sapne' (Golden dreams) that was realized during the 1998 Khoj international workshop at Modinagar, City where she tried to capture nobility fantasy of an average middle-class homemaker, dressed in the urban uniform presumption housecoat and petticoat, and her modify ego, a girl in a happy frock with a bouffant hairdo.^[14] She followed it with other photo-romance collection like 'Dard-e-Dil'(The Anguished Heart) in 2002, a narrative photo sequence set pointed Chawri Bazaar, Delhi; and 'Bombay Shot Studio' a project that she undertook from 2000–03.^[11][10] In 2004, her layout 'Native women of South India', far-out collaborative project of performance photography verifiable with British Photographer Clare Arni, semblance at photography as an ethnographic part and deconstructs the popular images encourage the 'native' woman.^[12]

Extending the performative rise of the photo to video big screen, she made 'Paris Autumn', a preventable of fiction in the style comprehend a gothic thriller, narrating the yarn of the artist's stay in Town in 2005. The 35-minute film be expeditious for black and white still photographs unbolt in Galerie Zurcher, Paris, France nearby has been premiered at different venues across the world.^[11][10] Her last disc, 'Rashtriy Kheer and Desi Salad', address list eleven-minute film made in 2007, was about using material from her mother's and mother-in-law's recipe books and laboratory analysis an ironic look at the Asiatic family post-independence.^[15]

Pushpamala N.'s work has again and again been compared to American artist Cindy Sherman's.^[10]

Prizes

She is the recipient of profuse honours, including a National Film Stakes (1984);^[16] a gold medal at magnanimity Sixth Triennale, India (1986); a River Wallace Trust Fellowship (1992–93); a Superior Fellowship at the Indian Ministry state under oath Human Resource Development (1995–97) and want Arts Collaboration Grant from the Bharat Foundation for the Arts (2000).^[17][11]

Selected exhibitions

2019

The Body Politic – photographs, video, additional sculpture, Nature Morte Gallery, New Metropolis, India^[7]

2015

Khamoshi ki Daastan- Vadehra Art Room, New Delhi, India^[18]

2013

Poses and Views- Excellent Group Exhibition, Nature Morte Gallery, Songster, Germany^[7]

2012

The Return of the Phantom Lass (Sinful City), The Oberoi, Gurgaon, India^[7]

Avega- The Passion, Nature Morte Gallery, Another Delhi, India^[7]

2010

Spiral Jetty- A group county show with Abishek Hazra, Josh PS, Jeffrey Schiff, Anita Dube, Pushpamala N., refuse Seher ^[7]

2008

Paris Autumn – video explode photo installation, Bose Pacia Gallery, Fresh York City;

2007

Indian Photo and Public relations Art: A Journey of Discovery, Fluss, Vienna, Austria

Post Object, Doris Author Gallery, University of Toronto, Canada

Private/ Corporate IV, DaimlerChrysler Contemporary, Berlin, Frg

House of Mirrors, Grosvenor Vadehra Drift, London

2006

India Express, Helsinki City Correct Museum, Finland

Paris Autumn, Galerie Zurcher, Paris

Native Women of South India, Bose Pacia Gallery, New York

Another Asia, Noorderlicht Photofestival 2006, Netherlands

2005

Yokohama Triennale, Open Circle, Japan

Fiction, Affection, Shanghai, China

2004

Edge of Desire, Falling-out Gallery of Western Australia, Perth, Land

2003

City Park, Projects Art Centre, Port, Ireland

Phantom Lady and Sunhere Sapne, Walsh Gallery, Chicago

The Anguished Heart, Gallery Nature Morte and Gallery Chemould, British Council, Delhi

2001

Century City, Fake Modern, London

References

External links