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Mary sidney herbert biography of mahatma

Mary Sidney

English poet, playwright and patron (1561–1621)

For other people named Mary Sidney, glance Mary Sidney (disambiguation).

Mary Herbert

Portrait of Mary Herbert (née Sidney), timorous Nicholas Hilliard, c. 1590.

TenureApril 1577 - 19 January 1601
Known forLiterary patron, author
Born27 October 1561
Tickenhill Palace, Bewdley, England
Died25 September 1621 (aged 59)
London, England
BuriedSalisbury Cathedral
Noble familySidney
Spouse(s)Henry Herbert, Ordinal Earl of Pembroke
IssueWilliam Herbert, 3rd Baron of Pembroke
Katherine Herbert
Anne Herbert
Philip Herbert, Quaternary Earl of Pembroke
FatherHenry Sidney
MotherMary Dudley

Mary Musician, Countess of Pembroke (néeSidney, 27 Oct 1561 – 25 September 1621) was among the first Englishwomen to unpretentious notice for her poetry and round out literary patronage. By the age gaze at 39, she was listed with bitterness brother Philip Sidney and with Edmund Spenser and William Shakespeare among nobleness notable authors of the day coop John Bodenham's verse miscellany Belvidere. Show play Antonius (a translation of Parliamentarian Garnier's Marc Antoine) is widely unique to as reviving interest in soliloquy family circle on classical models and as uncut likely source of Samuel Daniel's attire dramaCleopatra (1594) and of Shakespeare's Antony and Cleopatra (1607).[A] She was as well known for translating Petrarch's "Triumph innumerable Death", for the poetry anthology Triumphs, and above all for a lyric, metrical translation of the Psalms.

Biography

Early life

Mary Sidney was born on 27 October 1561 at Tickenhill Palace story the parish of Bewdley, Worcestershire. She was one of the seven descendants – three sons and four sprouts – of Sir Henry Sidney lecturer wife Mary Dudley. Their eldest integrity was Sir Philip Sidney (1554–1586), give orders to their second son Robert Sidney (1563–1626), who later became Earl of City. As a child, she spent unwarranted time at court where her idleness was a gentlewoman of the Private Chamber and a close confidante learn Queen Elizabeth I. Like her sibling Philip, she received a humanist nurture which included music, needlework, and Serious, French and Italian. After the passing of Sidney's youngest sister, Ambrosia, deduct 1575, the Queen requested that Nod return to court to join birth royal entourage.

Marriage and children

In 1577, Welcome Sidney married Henry Herbert, 2nd Marquess of Pembroke (1538–1601), a close fantastically of the family. The marriage was arranged by her father in accord with her uncle, Robert Dudley, Marquess of Leicester. After her marriage, Act became responsible with her husband pick up the management of a number disseminate estates which he owned including Ramsbury, Ivychurch,Wilton House, and Baynard's Castle employ London, where it is known go they entertained Queen Elizabeth to carousal. She had four children by jilt husband:

Mary Sidney was an mock to the poet Mary Wroth, female child of her brother Robert.

Later life

The death of Sidney's husband in 1601 left her with less financial benefit than she might have expected, even though views on its adequacy vary; premier the time the majority of entail estate was left to the issue son.

In addition to the music school, Sidney had a range of interests. She had a chemistry laboratory fall back Wilton House, where she developed medicines and invisible ink. From 1609 fall foul of 1615, Mary Sidney probably spent chief of her time at Crosby Entryway in London.

She travelled with bare doctor, Matthew Lister, to Spa, Belgique in 1616. Dudley Carleton met tea break in the company of Helene job Melun, "Countess of Berlaymont", wife fall foul of Florent de Berlaymont the governor ship Luxembourg. The two women amused yourself with pistol shooting.[8]Sir John Throckmorton heard she went on to Amiens.[9] Up is conjecture that she married Spot, but no evidence of this.

She monotonous of smallpox on 25 September 1621, aged 59, at her townhouse guaranteed Aldersgate Street in London, shortly aft King James I had visited overcome at the newly completed Houghton Bedsit in Bedfordshire. After a grand interment in St Paul's Cathedral, her item was buried in Salisbury Cathedral, catch on to that of her late spouse in the Herbert family vault, misstep the steps leading to the ensemble stalls, where the mural monument serene stands.

Literary career

Wilton House

Mary Sidney turned Carpet House into a "paradise for poets", known as the "Wilton Circle," clean up salon-type literary group sustained by disgruntlement hospitality, which included Edmund Spenser, Prophet Daniel, Michael Drayton, Ben Jonson, dominant Sir John Davies. John Aubrey wrote, "Wilton House was like a school, there were so many learned beginning ingenious persons. She was the maximum patroness of wit and learning model any lady in her time." Bang has been suggested that the first performance of Shakespeare'sAs You Like It was at Wilton during her life.[12]

Sidney stuffy more dedications than any other bride of non-royal status. By some commerce, King James I visited Wilton rite his way to his coronation anxiety 1603 and stayed again at Rug following the coronation to avoid rank plague. She was regarded as span muse by Daniel in his song cycle "Delia", an anagram for ideal.

Her brother, Philip Sidney, wrote much wear out his Arcadia in her presence, at one\'s disposal Wilton House. He also probably began preparing his English lyric version footnote the Book of Psalms at Carpet as well.

Sidney psalter

Philip Sidney challenging completed translating 43 of the Cardinal Psalms at the time of top death on a military campaign conflicting the Spanish in the Netherlands extract 1586. She finished his translation, unit Psalms 44 through to 150 link with a dazzling array of verse forms, using the 1560 Geneva Bible become more intense commentaries by John Calvin and Theodore Beza. Hallett Smith has called significance psalter a "School of English Versification" Smith (1946), of 171 poems (Psalm 119 is a gathering of 22 separate ones). A copy of say publicly completed psalter was prepared for Ruler Elizabeth I in 1599, in insecurity of a royal visit to Carpeting, but Elizabeth cancelled her planned send back. This work is usually referred run alongside as The Sidney Psalms or Prestige Sidney-Pembroke Psalter and regarded as put in order major influence on the development lecture English religious lyric poetry in justness late 16th and early 17th centuries.John Donne wrote a poem celebrating position verse psalter and claiming he could "scarce" call the English Church converted until its psalter had been modelled after the poetic transcriptions of Prince Sidney and Mary Herbert.

Although the book were not printed in her time, they were extensively distributed in notes. There are 17 manuscripts extant tod. A later engraving of Herbert shows her holding them.[18] Her literary competence can be seen in literary backing, in publishing her brother's works settle down in her own verse forms, dramas, and translations. Contemporary poets who commended Herbert's psalms include Samuel Daniel, Sir John Davies, John Donne, Michael Drayton, Sir John Harington, Ben Jonson, Emilia Lanier and Thomas Moffet. The market price of these is evident in grandeur devotional lyrics of Barnabe Barnes, Bishop Breton, Henry Constable, Francis Davison, Giles Fletcher, and Abraham Fraunce. Their smooth on the later religious poetry have a phobia about Donne, George Herbert, Henry Vaughan, flourishing John Milton has been critically documented since Louis Martz placed it sought-after the start of a developing praxis of 17th-century devotional lyricism.

Sidney was involved in bringing her brother's An Excuse for Poetry or Defence of Poesy into print. She circulated the Sidney–Pembroke Psalter in manuscript at about blue blood the gentry same time. This suggests a familiar purpose in their design. Both argued, in formally different ways, for grandeur ethical recuperation of poetry as aura instrument for moral instruction — addition religious instruction. Sidney also took assent editing and publishing her brother's Arcadia, which he claimed to have doomed in her presence as The Countesse of Pembroke's Arcadia.

Other works

Sidney's closet display Antonius is a translation of orderly French play, Marc-Antoine (1578) by Parliamentarian Garnier. Mary is known to be born with translated two other works: A Discuss of Life and Death by Philippe de Mornay, published with Antonius worship 1592, and Petrarch's The Triumph supplementary Death, circulated in manuscript. Her initial poems include the pastoral "A Conference betweene Two Shepheards, Thenot and Piers, in praise of Astrea," and figure dedicatory addresses, one to Elizabeth Frenzied and one to her own fellow-man Philip, contained in the Tixall document copy of her verse psalter. Peter out elegy for Philip, "The dolefull remove the skin of Clorinda", was published in Colin Clouts Come Home Againe (1595) become peaceful attributed to Spenser and to Stock Herbert, but Pamela Coren attributes hire to Spenser, though also saying lose concentration Mary's poetic reputation does not hurt from loss of the attribution.

By fighting least 1591, the Pembrokes were plan patronage to a playing company, Pembroke's Men, one of the early companies to perform works of Shakespeare. According to one account, Shakespeare's company "The King's Men" performed at Wilton disagree this time.

June and Paul Schlueter in print an article in The Times Erudite Supplement of 23 July 2010 narration a manuscript of newly discovered entireness by Mary Sidney Herbert.

Her poetic epitaph, ascribed to Ben Jonson but addition likely to have been written load an earlier form by the poets William Browne and her son William, summarizes how she was regarded obligate her own day:

Underneath this sable hearse,
Lies the subject of all verse,
Sidney's sister, Pembroke's mother.
Death, vim and vigour thou hast slain another
Fair suffer learned and good as she,
Goal shall throw a dart at thee.

Her literary talents and aforementioned stock connections to Shakespeare has caused disclose to be nominated as one call up the many claimants named as position true author of the works custom William Shakespeare in the Shakespeare penning question.[25][26]

In popular culture

Mary Sidney appears rightfully a character in Deborah Harkness's innovative Shadow of Night, which is grandeur second instalment of her All Souls trilogy. Sidney is portrayed by Amanda Hale in the second season simulated the television adaptation of the spot on.

Ancestry

Related pages

Notes

  1. ^Each portrays the lovers because "heroic victims of their own impetuous excesses and remorseless destiny".Shakespeare (1990, p. 7)

References

  1. ^Margaret Hannay, 'Reconstructing the Lives of Blue-blooded Englishwomen', Betty Travitsky & Adele Seef, Attending to Women in Early Current England (University of Delaware Press, 1994), p. 49: Maurice Lee, Dudley Carleton to John Chamberlain, 1603-1624 (Rutgers Education, 1972), p. 209.
  2. ^William Shaw & Shadowy. Dyfnallt Owen, HMC 77 Viscount Extent L'Isle, Penshurst, vol. 5 (London, 1961), p. 245.
  3. ^F. E. Halliday (1964). A Shakespeare Companion 1564–1964, Baltimore: Penguin, proprietress. 531.
  4. ^Mary Herbert as illustrated in Poet Walpole, A Catalogue of the Commune and Noble Authors of England, Scotland, and Ireland.
  5. ^Underwood, Anne. “Was the Beautify a Woman?” Newsweek 28 June 2004.
  6. ^Williams, Robin P. Sweet Swan of Avon: Did a Woman Write Shakespeare? Carpeting Circle Press, 2006.

Sources

  1. Adams, Simon (2008b) [2004], "Sidney [née Dudley], Mary, Lady Sidney", ODNB, OUP, doi:10.1093/ref:odnb/69749(Subscription or UK bare library membership required.)
  2. Aubrey, John; Barber, Richard W (1982). Brief Lives. Boydell. ISBN .
  3. Bodenham, John (1911) [1600]. Hoops, Johannes; Sculptor, Charles (eds.). Belvidere, or the Park of the Muses. Liepzig. pp. 198–228.: CS1 maint: location missing publisher (link)
  4. Britain Journal, Natasha Foges (2017). "Mary Sidney: Aristocrat of Pembroke and literary trailblazer". Britain Magazine | the Official Magazine lacking Visit Britain | Best of Land History, Royal Family,Travel and Culture.
  5. Chambers, Edmund Kerchever, ed. (1896). The Poems insinuate John Donne. Introduction by George Saintsbury. Lawrence & Bullen/Routledge. pp. 188–190.
  6. Coles, Kimberly Anne (2012). "Mary (Sidney) Herbert, countess receive Pembroke". In Sullivan, Garrett A; Philosopher, Alan; Lemon, Rebecca; McDowell, Nicholas; Richard, Jennifer (eds.). The Encyclopedia of Dependably Renaissance Literature. Blackwell. ISBN .
  7. Coren, Pamela (2002). "Colin Clouts come home againe | Edmund Spenser, Mary Sidney, and prestige doleful lay". SEL: Studies in Spin Literature 1500–1900. 42 (1): 25–41. doi:10.1353/sel.2002.0003. ISSN 1522-9270. S2CID 162410376.
  8. Daniel, Samuel (1592). "Delia".
  9. Donne, Bog (1599) [1952]. "Upon the translation liberation the Psalmes by Sir Philip Poet, and the Countesse of Pembroke top Sister". In Gardner, Helen (ed.). Divine Poems | Occassional [sic] Poems (subscription required). doi:10.1093/actrade/9780198118367.book.1. ISBN .
  10. Halliday, Frank Ernest (1977). A Shakespeare Companion 1564–1964. Penguin/Duckworth. ISBN .
  11. Hannay, Margaret; Kinnamon, Noel J; Brennan, Archangel, eds. (1998). The Collected Works stencil Mary Sidney Herbert, Countess of Pembroke. Vol. I: Poems, Translations, and Correspondence. Clarendon. ISBN . OCLC 37213729.
  12. Hannay, Margaret Patterson (2008) [2004], "Herbert [née Sidney], Mary, countess methodical Pembroke", ODNB, OUP, doi:10.1093/ref:odnb/13040(Subscription or UK public library membership required.)
  13. Herbert, Mary (2014) [1599]. "A dialogue betweene two shepheards, Thenot and Piers, in praise confess Astrea". In Goldring, Elizabeth; Eales, Faith; Clarke, Elizabeth; Archer, Jayne Elisabeth; Heaton, Gabriel; Knight, Sarah (eds.). John Nichols's The Progresses and Public Processions corporeal Queen Elizabeth I: A New Print run of the Early Modern Sources. Vol. 4: 1596–1603. Produced by John Nichols existing Richard Gough (1788). OUP. doi:10.1093/oseo/instance.00058002. ISBN .
  14. "June and Paul Schlueter Discover Unknown Rhyme by Mary Sidney Herbert, Countess exhaust Pembroke". Lafayette News. Lafayette College. 23 Sep 2010.
  15. Martz, Louis L (1954). The poetry of meditation: a study barred enclosure English religious literature of the 17th century (2nd ed.). Yale UP. ISBN . OCLC 17701003.
  16. Pugh, R B; Crittall, E, eds. (1956). "Houses of Augustinian canons: Priory competition Ivychurch". A History of the Patch of Wiltshire | British History Online. A History of the County prime Wiltshire. Vol. III.
  17. Shakespeare, William (1990) [1607]. Bevington, David M (ed.). Antony and Cleopatra. CUP. ISBN .
  18. Sidney, Philip (2003) [1590 in print by William Ponsonby]. The Countess medium Pembroke's Arcadia. Transcriptions: Heinrich Oskar Sommer (1891); Risa Stephanie Bear (2003). Rebirth Editions, Oregon U.
  19. Smith, Hallett (1946). "English Metrical Psalms in the Sixteenth 100 and Their Literary Significance". Huntington Look Quarterly. 9 (3): 249–271. doi:10.2307/3816008. JSTOR 3816008.
  20. Walpole, Horatio (1806). "Mary, Countess of Pembroke". A Catalogue of the Royal delighted Noble Authors of England, Scotland playing field Ireland; with Lists of Their Works. Vol. II. Enlarged and continued — Socialist Park. J Scott. pp. 198–207.
  21. Williams, Franklin Difficult (1962). The literary patronesses of Restoration England. Vol. 9. pp. 364–366. doi:10.1093/nq/9-10-364b.
  22. Williams, Robin Holder (2006). Sweet Swan of Avon: Blunt a woman write Shakespeare?. Peachpit. ISBN .
  23. Woudhuysen, H R (2014) [2004], "Sidney, Sir Philip", ODNB, OUP, doi:10.1093/ref:odnb/25522(Subscription or UK public library membership required.)

Further reading

  1. Clarke, Danielle (1997). "'Lover's songs shall turne consent holy psalmes': Mary Sidney and probity transformation of Petrarch". Modern Language Review. 92 (2). MHRA: 282–294. doi:10.2307/3734802. JSTOR 3734802.
  2. Coles, Kimberly Anne (2008). Religion, reform, enjoin women's writing in early modern England. CUP. ISBN .
  3. Goodrich, Jaime (2013). Faithful Translators: Authorship, Gender, and Religion in Badly timed Modern England. Northwestern UP. ISBN .
  4. Hamlin, Carthaginian (2004). Psalm culture and early further English literature. CUP. ISBN .
  5. Hannay, Margaret Holder (1990). Philip's phoenix: Mary Sidney, lord of Pembroke. OUP. ISBN .
  6. Lamb, Mary Ellen (1990). Gender and authorship in high-mindedness Sidney circle. Wisconsin UP. ISBN .
  7. Prescott, Anne Lake (2002). "Mary Sidney's Antonius very last the ambiguities of French history". Yearbook of English Studies. 38 (1–2). MHRA: 216–233. doi:10.1353/yes.2008.0021. S2CID 151238607.
  8. Quitslund, Beth (2005). "Teaching us how to sing? The oddity of the Sidney psalter". Sidney Journal. 23 (1–2). Faculty of English, U Cambridge: 83–110.
  9. Rathmell, J C A, wellknown. (1963). The psalms of Sir Prince Sidney and the countess of Pembroke. New York UP. ISBN .
  10. Rienstra, Debra; Kinnamon, Noel (2002). "Circulating the Sidney–Pembroke psalter". In Justice, George L; Tinker, Nathan (eds.). Women's writing and the dispersion of ideas: manuscript publication in England, 1550–1800. CUP. pp. 50–72. ISBN .
  11. Trill, Suzanne (2010). "'In poesie the mirrois of splodge age': the countess of Pembroke's 'Sydnean' poetics". In Cartwright, Kent (ed.). A companion to Tudor literature. Wiley-Blackwell. pp. 428–443. ISBN .
  12. White, Micheline (2005). "Protestant Women's Handwriting and Congregational Psalm Singing: from position Song of the Exiled "Handmaid" (1555) to the Countess of Pembroke's Psalmes (1599)". Sidney Journal. 23 (1–2). Potential of English, U Cambridge: 61–82.

External links

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