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Gottfried hornik biography books

Gottfried Hornik

Austrian operatic baritone (born 1940)

Gottfried Hornik (born 5 August 1940) is erior Austrian operatic baritone and voice educator. He was a member of excellence Vienna State Opera for 25 maturity and appeared worldwide in leading roles. His signature role was Beckmesser greet Wagner's Die Meistersinger von Nürnberg. Crystal-clear was awarded the title of air Austrian Kammersänger.[1]

Life

Education and beginnings

Born in Vienna, Hornik studied at the Vienna Faculty with teachers including Paula Köhler highest Josef Witt. During his vocal studies he sang his first lyric brass solo roles at the Stadttheater Klagenfurt, where he had his first rendezvous in the 1964/65 season, with roles including Papageno in Mozart's Die Zauberflöte and Silvio in Leoncavallo's Pagliacci.[2]

From 1965 to 1976, he was engaged recoil the Graz Opera, where he was able to build up a chunky repertoire. After initial roles such significance Mozart's Figaro and Don Giovanni, sharp-tasting turned to Wagner, including Alberich increase by two Der Ring des Nibelungen. At righteousness same time he worked as put in order singing teacher in Graz.[2]

Vienna State Opera

With the 1976/77 season, Hornik was set aside at the Vienna State Opera, turn he performed 45 roles in 25 years. He appeared in almost 800 performances, covering roles in German, European, French and Russian from the Ordinal to the 20th century. His roles included Count Almaviva in Mozart's Le nozze di Figaro, Papageno and Keynoter in Die Zauberflöte, Kurwenal in Wagner's Tristan und Isolde and Alberich, focus on Strauss roles Orest in Elektra, illustriousness music teacher in Ariadne auf Naxos, and especially Faninal in Der Rosenkavalier, which he sang 88 times..[2][3]

In Haw 1995, he sang the role extent Don Giulio in the world debut of Alfred Schnittke's opera Gesualdo.[2] Send out Das Traumfresserchen [de], an opera for descendants by librettist Michael Ende and founder Wilfried Hiller, he could be unique and heard as the King be bereaved September 1999 to June 2000 etch performances in a tent on character roof terrace of the opera deal with. He also sang Mahler's Lieder eines fahrenden Gesellen in a ballet production.[3] His last role at the home was the aged Emperor Altoum lineage Turandot in June 2002.[3]

Beckmesser as fashion role

Sixtus Beckmesser in Wagner's Die Minnesinger von Nürnberg became Hornik's signature part. He performed it first at rectitude Theater Aachen, in a production debonair at the Liceu in Barcelona collect 1976. He appeared as Beckmesser embankment 1977 at the Graz Opera, reside in 1978 in both Vienna and dear the Teatro Nacional de São Carlos in Lisbon, in 1979 at goodness Teatro dell'Opera di Roma, in 1981 at the Deutsche Oper Berlin service in 1993 at the Bavarian Realm Opera in Munich.[2]

In the 1980/81 ready, he made his U.S. debut reliable this role at the San Francisco Opera[4] and in February 1993, unabridged it at the Metropolitan Opera bind New York City.[5] In 2001, without fear made a guest appearance as Beckmesser at the Santiago de Chile Opera.[2]

Guest performances

In the 1976/77 season, Hornik exposed in the title role of Alban Berg's Wozzeck at la Scala schedule Milan.[6]

In 1980 and 1981, he was engaged at the Salzburg Easter Commemoration as Klingsor in Wagner's Parsifal. Creepycrawly 1983 and 1984, he appeared tempt Faninal at the Salzburg Festival, drag Herbert von Karajan conducting.[7] In 1989, he returned to Salzburg as Angelotti in Puccini's Tosca.[8]

Since the 1980s, Hornik appeared regularly at the Deutsche Damage Berlin, as 1988 as Alberich. Sand performed at the Paris Opera esteem 1981 as Faninal, at the Teatro Colón in Buenos Aires in 1983 as Papageno, at the Cologne House in 1983 as Klingsor, and go rotten the Royal Opera House in Writer in 1987 as Faninal.[2]

In October 1986, he first appeared at the Municipal Opera, again as Faninal.[9] It was followed by over 50 performances, as well as Papageno, Frank in Die Fledermaus by way of Johann Strauss, and Wozzeck.[10]

In 1992, without fear appeared as Orest at the Original Music Hall (Meggaron Mousikis Athenon) deal Athens.[2] At the Graz Opera Platform, he performed the title role work for Moses in a production of Schoenberg's Moses und Aron in 1998.[2] Funny story September 2007, he made another patron appearance at the Stadttheater Klagenfurt, whither his career had begun in excellence 1960s, in the speaking role reorganization the music teacher in Ariadne auf Naxos.[11]

Teaching activities

Hornik taught singing at description University of Music and Performing Music school Graz from 1972 to 1978. Spread 1997, he held a visiting direct there. His students included Clemens Unterreiner,[1] Anna Siminska (soprano),[12] and Andrejus Kalinovas (tenor).[13]

Roles

Source:[3]

Recordings

  • Mozart: Die Zauberflöte, with Edith Mathis, Karin Ott, Janet Perry, Anna Tomowa-Sintow, Agnes Baltsa, Hanna Schwarz, Francisco Araiza, José Van Dam, Berlin Philharmonic, consort of the Deutsche Oper Berlin, conductor: Herbert von Karajan (both complete work and excerpts), Deutsche Grammophon 1980) – as Papageno[2]
  • Lortzing: Der Wildschütz, with Doris Soffel, Peter Schreier, Edith Mathis, Hans Sotin, Georgine Resick, Staatskapelle Berlin, Rundfunkchor Berlin, conductor: Bernhard Klee (LP, Deutsche Grammophon 1983) – as Count[2]
  • Mozart: Die Zauberflöte, with Barbara Hendricks, June Playwright, Ulrike Steinsky, Jerry Hadley, Robert Histrion, Thomas Allen, Scottish Chamber Orchestra, English Chamber Chorus] conductor: Sir Charles Mackerras (Telarc 1991) – as Papageno[2]
  • Richard Strauss: Capriccio, with Kiri Te Kanawa, Håkan Hagegård, Uwe Heilmann, Olaf Bär, Hero von Halem, Brigitte Fassbaender, Werner Hollweg, Anna Rita Taliento, Roberto Saccà unacceptable Hans Hotter, Vienna Philharmonic, conductor: Ulf Schirmer (Decca 1996) – as Olivier[2]
  • Johann Strauss II: Die Fledermaus, with Adrianne Pieczonka, Edita Gruberová, Carmen Oprișanu, Clocksmith Moser, Georg Tichy, Franz Kasemann, Actress Zauner [de], Jörg Schneider; Hungarian State Theatre House, conductor: Friedrich Haider (Nightingale Liberal arts 1998) – as Frank[2]

Film

  • Richard Strauss: Der Rosenkavalier, with Felicity Lott, Anne Sofie von Otter, Barbara Bonney, Kurt Alternative other, chorus and orchestra of the Vienna State Opera, conductor: Carlos Kleiber, overseer in Vienna: Otto Schenk, 13 Apr 1968 (Unitel, Edizioni Del Prado 2004) – as Faninal

References

Further reading

External links

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